Lorna Mills and Sally McKay
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The TPSC is opposed to billboards and corporate ads, much in favour of postering and under-the-official-radar public art. The pole full of staples is a recurring theme, and makes a nice visual metaphor for public interaction. Unfortunately the articles in this first issue tend toward the overly-ernest-and-slightly-boring end of the urban activism scale. But there's a lot of talent on the Spacing team, and I suspect these problems will get worked out over time.