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“Pour to start with the beginning, c’est night of spring without the moon in the small borough, without stars, and black of bible, in the streets with the round paving stones, quiet and in uneven wood, drink the in love ones and rabbits which imperceptibly boitillent jusqu’à it [ …]”
[mp3 via edk] [wp] [Ag]
(”Under Milk Wood” translated l’anglais by Jacques B Brunius)
“Dylan Thomas wanted to write a part for the inhabitants of the village where it finished his days, Laugharne (Country of Galle), which "interfere the plays intelligence of Ulysses de Joyce and the country lyricism of the villagers". "Under Milk Wood" ("With Lacteous Wood") described one day of spring in a fishing port, life and dreams of the villagers, figures bouffones and poetic.
Two narrative votes throughout the part lead you by the streets, penetrate the interiors, introduce and reveal the characters whom one will initially intend to dream, to wake up, then to discharge their daily tasks, according to the moments and places' of the day, to attend their loves, their quarrels, their ordinary made eccentricities. The villagers know each other all, covet themselves, scorn themselves, jalousent themselves, like, the gossip go good train, even deaths take share there. Not less than one about sixty characters that l?autor crunches with the ell of his destructor poetic genius, his comic liveliness, and the compassion which it tests for the models of its composition.
Dylan Thomas wanted to write a sharp?uvre and bouffonne, admissible by all. Poet with the innate genius, it engraves the language to the extreme, enriches it by metaphors, adjectives which it invents, of systems of assonance, interlacing the literary kinds unceasingly where are juxtaposed lyricism, dialogues, récitatifs, songs, in order to obtain this astonishing vocal partition which makes him add in subtitle of To lacteous Wood "a part for voice". C’est also its last part. It gave of it reading at the time of its last voyage to the United States. Little time after its death in 1953, the part was published and a version for the radio was recorded by the BBC in 1954 with Richard Burton reading the voice number un.” (National Theatre of Brittany & Commercial Xavier).
html test : now is the time for all good men to come to the aid of their country
house porn illustrated
what if nyc...
seattle denny's nominated for landmark status
The Maharishi Maheshi Yogi, who died on Tuesday, probably aged 91, had a profound influence on the Beatles’ late career, and repackaged ancient Hindu methods of transcendental meditation; TM, as it was known, was aimed at enabling western disciples to achieve a blissful oneness with the infinite in the still depths of the self - at the cost of minimum inconvenience
building 521
my friend jason's fire~dome
January 19 through April 13, 2008 Michener Art Museum in Doylestown
Although more widely recognized for her early Precisionist paintings, Elsie Driggs (1898-1992) created plant life paintings, animal paintings, watercolors of figures in urban settings, as well as murals based on folktales. This exhibition will present over 50 works from throughout Driggs' life, including collages, mixed media constructions, and oil paintings inspired by memories of her student days in Italy and the dynamism of New York during the seventies and eighties. This exhibit features work from the Whitney Museum of American Art in New York City, the Montclair Museum of Art in New Jersey, Citibank, the Baltimore Museum of Art, the Columbus Museum of Art in Ohio, the Corcoran Gallery and Phillips Collection in Washington, D.C., and the Metropolitan Museum of Art in New York City. Organized by the Michener Art Museum, the exhibition is accompanied by a major publication that is being authored by the Michener's Curator of Collections Constance Kimmerle and copublished by the University of Pennsylvania Press and the Michener Art Museum.
just caught ny doll
recomended for netflix viewing
the lincoln square and san juan hill area of nyc
A new drilling contract in Utah threatens Robert Smithson’s Spiral Jetty, an emergency email from the artist’s widow, Nancy Holt, informs journalists. A number of pipes and pumps will be laid beneath the water and shore, as well as roads built for oil tank trucks, and cranes for other development needs, all of which promise to severely alter the surrounding environment including Spiral Jetty.
more gore
chevy rondine at barett jackson sold sold sold 1.6m
wow! two shout outs in as many days! thanks justin!
rotating outer wall
via zoller
drop-in house liner
copper plus
glass house (12/11/07 post - scroll for it. its worth it)
via adman
the big bamboo floor thread
Lawrence Weiner at the Whitney
Service canals dug to tap oil and natural gas dart everywhere through the black mangrove shrubs, bird rushes and golden marsh. From the air, they look like a Pac-Man maze superimposed on an estuarine landscape 10 times the size of Grand Canyon National Park.
There are 10,000 miles of these oil canals. They fed America's thirst for energy, but helped bring its biggest delta to the brink of collapse. They also connect an overlooked set of dots in the Hurricane Katrina aftermath: The role that some say the oil industry played in the $135 billion disaster, the nation's costliest.
The delta, formed by the accumulation of the Mississippi River's upstream mud over thousands of years, is a shadow of what it was 100 years ago. Since the 1930s, a fifth of the 10,000-square-mile delta has turned into open water, decreasing the delta's economic and ecologic value by as much as $15 billion a year, according to Louisiana State University studies.
The rate of land loss, among the highest in the world, has exposed New Orleans and hundreds of other communities to the danger of drowning. Katrina made that painfully clear.
afc nails *ds* in 10 woist
mounting plate for flared/tapered table leg