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tom moody

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Shinth Tour

More on the circuit bending genre. The painterly and/or sculptural aspirations of benders can be problematic, especially if the result is sci fi cliche, but the physical aspect can be engaging, too. So we're looking for good examples of circuit bent pieces that are visually, musically, performatively tight. I've posted work by Peter Blasser (aka Peter B) before; above is another piece of his (I think it's his) that I photographed at the Shinth Tour at Deitch last year. It reminds me of Eva Hesse's Metronomic Irregularity II (below) only with a sound component: actually it's as if her work looked forward to a time when sound would complete the idea.

Eva Hesse

My memories of the Blasser piece are sketchy. I don't know what the circuit board/sound-producing module thingies are. The cloth is a paint-spattered rectangle of canvas that's like a parody of a bad Pollock, but the expressionism component is relevant, particularly in light of the Hesse, which has been described as an attempt to reconstitute Pollock in the vocabulary of '60s minimalism. The sound you hear through the headphones is the sublime product of random crisscrossing connections in the circuit field: chirping robotic crickets, but with pauses and subtleties making them slightly haunted and Eno-esque. The blinking lights were their ephemeral, firefly-droid cousins. I don't know if there was any programming involved in the routing of the signals, or if it was solely a product of hardwiring parts. I guess I don't really care. More detail about the piece would be appreciated.

UPDATE: via cory, a momus-sponsored page devoted to Peter Blasser's old band the Gongs. the mp3 doesn't work but great photo. also link to CD (don't know about availability).

- tom moody 12-09-2004 9:17 am [link] [1 comment]