View current page...more recent posts
We began installing my show at artMovingProjects yesterday. I'm approaching this as an experiment and a reality check. The gallery consists of one large-ish white box room, so the decision was made some time ago to show my video work and not my 2-D work (drawings and paintings made with the computer). For reasons of light levels you can't have projected video in the same room with overhead-lit pieces--the two would cancel each other out.
It's ironic to be talking about "my video work" because until a few months ago it didn't exist. I had been doing animations and short films for the Web but never thought much about putting them in a physical space. But I was getting asked to submit videos to things, so I've been scaling up existing vids and thinking more about scale in making new ones.
Up until recently I'd only seen much of this work on the computer or a small TV monitor. Now we're going through the process of seeing how things look large and hearing how the sound works in a big room. It's premature to say where we'll end up Friday, but it's looking like less-is-more is the order of the day. Probably the show will feature only pieces with no sound, and the music lecture performance thing on May 19 will emphasize the "music video" pieces.
The silent pieces are on the peaceful hypnotic looping side--this OptiDisc
one is looking like a likely centerpiece. Coincentally Google Images just archived the Net version recently and it's been getting a lot of traffic. The music vids, where my own tunes have some visual accompaniment, are aggressive beyond my hopes on a big scale, as in rock and roll. "Exit Maurice," "Sensor Readings," "End Notes," and "Guitar Solo" do more than "hold the room"--they pretty much grab it by the throat. I'm tempted to have one of these be the "centerpiece," but am kind of leery of videos with soundtracks in a gallery that play over and over. As in, I usually hate it. Still thinking about this.