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Interesting historical show at Greene Naftali gallery opened last night: paintings and film by Tony Conrad, a cult figure who performed with La Monte Young, John Cale, and Faust in the '60s/early 70s. As the story has it, he invited people to a '70s film screening and instead of the avant garde Stan Brakhage-like art cinema they were expecting he hung a group of abstract paintings around the room the approximate height and orientation of film screens. The paintings had heavy brushy black outlines and resembled empty cartoon panels. These non-cloying pastel trichromes were painted on heavy paper and pushpinned to the wall; crimped and decayed after 30 years in the artists' attic, the same "screens" now fill the gallery and are extremely funky.

It's possible that Conrad invented "New Image Painting" with this show--that is, the injection of pictographic imagery into the uninflected language of minimalism as later, more famously practiced by Susan Rothenberg, Robert Moskowitz, and Jennifer Bartlett--and he should get props!

A real treat was seeing a Conrad film projected on one of the columns of the gallery. Seizure-inducing op art abstraction consisting of stroboscopic layers of horizontal and vertical bands triggering optical colors on the retina, all the stranger for being on scratchy, browning, aged film stock. Accompanied by a recording of John Cale's and Terry Riley's "Ides of March" from the Church of Anthrax album. This music--again, a cult fave in the music world--was played during the film's original screening, which I'm guessing must have been around '70-'71. Cale was Conrad's roommate at the time, I'm told. Slightly off-topic, I've read that the minimal-minded Riley strenuously objected to the energetic drum kit Cale dubbed onto this two-piano work.

Thanks to Greene Naftali for the time travel.

Update: According to Jeff S the film we saw was "Straight and Narrow," which Conrad made with his wife Beverly.

- tom moody 1-19-2007 9:57 am [link] [2 comments]