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The VVork blog
gets props for (a) its relentless research, (b) bringing so many conceptual art projects from all over the world under one roof without being monotonous or repetitive, and (c) its use of photographs rather than text to convey ideas. Usually just a few words (e.g. "a crane trying to lift itself") are employed to get the message across if the photo alone does not suffice. This is a refreshing contrast to classic conceptual practice, which is to bury the art consumer under a mountain of words, cribbed from Lacan and the like, with practically nothing to look at.
Still, what's needed is a parallel blog, VVork Annotated, which attempts to make sense of this image stream. Projects compared and contrasted, stale ideas exposed (they can't all be good), connections to past art made using words and more pictures, and a consideration of what's missing from the blog. Without this the flow of ideas risks being a flow of novelty. If a group of critics spent the next six months annotating VVork online, we would have the beginnings of a real history of the present visual moment as seen through the eyes of artists.
Update: the Anti-VVork