tom moody

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tom moody


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Anime Diary. Titles rented recently: The Wings of Honneamise, Video Girl Ai, Patlabor 1, more Blue Seed. Saw my first bloody nose (in Video Girl Ai), a "uniquely Japanese [symbol of] sexual frustration," according to Clements & McCarthy's Anime Encyclopedia (the book's example--to the right--is from Tales of Sintillation, 1990). Wings is fantastic! Slow-moving but insanely detailed depiction of an alternate, Nippon-like world. Lovely score by Ryuichi Sakamoto. The Omake Theatre segments at the end of Blue Seed are often more interesting than the show itself. One features Momiji lying around her apartment in her underwe4r on a rainy day. P4nty shots aside, it's a moving, wordless meditation on nature, and loneliness. On the big screen: Escaflowne, Metropolis, and Vampire Hunter D. Escaflowne scores highest for visual poetry: shots of the Magic Moon (Earth), partially occluded by a Luna-like moon with a giant hieroglyphic eye, looming over the film's parallel Earth; scenes in a pristine mountain village that sparkle.

Techno Diary. Geogaddi, the new Boards of Canada CD, is good, but I actually prefer their four-track release from 2002, in a beautiful place out in the country, with its herky jerky rhythms and subtle allusions to David Koresh and Waco. The standout track from the new CD is "1969," with its Stephen Sondheim-like vocoder duet, ending on the repeated phrase "1969 in the sunshine." Meaning "1969 basking in the cathode rays cast by a dreary after-school special from the Canadian Film Board, waiting for the Big One to drop." Three late ('97-'98) CDs by Larry Heard, "house music's one true bona fide genius"--an assessment from Mixmag I'm inclined to agree with. Heard processes Sly Stone, Pat Metheny, and Happy the Man's Kit Watkins through house's 4/4 thump and arpeggiated loops, pulling the warmest imaginable sounds from those machines of his in Memphis. Heard rules! Finally getting around to early '90s Alec Empire, when he was still a My Bloody Valentine-meets-ambient groove machine. Limited Editions 1990-94 is highly recommended and still available. The first third of John Tejada's Backstock is a nice self-mix of his own tracks; gets a little dull and then perks up at the end. More consistently exciting is Roni Size's mix of recent Full Cycle tracks on Through the Eyes. Yes, I still like Drum and Bass. Some stuff bought blind off Forced Exposure: Electronic Cosmetics on Salo (a nice comp of recent, tuneful Berlin techno) and Monolight's Free Music, a bit more abstract but very listenable selection of three-synths-and-an-effects-deck chittering.

- tom moody 3-31-2002 4:59 am [link] [13 comments]



Below is the Artforum ad layout for my upcoming show with Gregor Passens in Munich. In the finished ad the artists' and gallery's names will be italicized, the dates will be changed to May 3 - June 14, 2002, and the type will be legible.

[ad removed for remodeling]

- tom moody 3-27-2002 6:56 am [link] [11 comments]



Mark Mellon's story "The Favor," an excerpt from his World War II novel-in-progress Hammer and Skull, appears in the e-zine Behold. We got a soiled glimpse of the Russian side of World War II in the movie Enemy at the Gates, a moral black hole where commanders shoot their own troops if they don't advance and everyone's spying on everyone. My favorite parts of Hammer and Skull are set in this human wasteland. Mellon learned Russian in the U. S. Army and he's done quite a bit of research to transport the reader convincingly to a time and place most of us know very little about. From popular culture we have a good sense of how the war played out in the West, but no Red Army equivalent of Hogan's Heroes.

It should be mentioned, sadly, that the novel is appealing not so much because it allows us to feel smug about ourselves vis a vis the former Soviet Union, but because it mirrors our own increasingly callous society in the era of Enron, a bought Congress, and endless proxy wars. How does a person armed only with an internal moral compass navigate this wilderness of sleaze and heartlessness? Answer: look to ordinary Russians; they've been living under such conditions for quite a while.

- tom moody 3-22-2002 6:17 pm [link] [10 comments]



Jessica 12502, ink on paper, 45" X 34"

- tom moody 3-22-2002 6:14 pm [link] [7 comments]



New "miscellaneous" pages have been added to this log (click here) and The Doris Piserchia Site (click here). They are weblog-style pages that serve as footnotes, or notes for future posts, on the respective sites. For example, if a New York Times article is discussed here, the relevant section can be found on the "miscellaneous" page, sparing the reader a link that would require signing in at the Times. On the Piserchia page, I've sampled some of the great writing on the author's work from other websites (because you never know when they'll disappear), as well as some posts from the Piserchia page at Yahoo! Clubs, which is now practically unusable since it's been rolled into Yahoo! Groups and saturated with banners and pop-ups. Also recently added to my writing archive is a piece on Drew Dominick's "psycho-garage-mechanic" show from 1996.

- tom moody 3-11-2002 5:34 pm [link] [1 comment]