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GIF grid by eyekhan
Based on my MSPaintbrush "Waves" drawing.
Hello to all at artMovingProjects today. This continues the series of remote posts to the "terminal" which are also simultaneously viewable on the larger Internet, as part of the performance work BLOG. Aside from routine schmoozing, much of my time at the opening last night was spent explaining (a) how blogs work, (b) how long I've been doing it (six years, three months), and (c) the purpose of showing the blog in the gallery when it could also be consumed at home. Please see earlier posts for writing on some of these issues.
Zoe Sheehan Saldana (umlaut over the "e" and tilded "n" in Saldana), who is showing in the artMovingProjects main space. In her exhibit "Homegrown" she is growing an edition of 96 tobacco seedlings (Nicotiana tabacum Burley) under indoor lights. A webcam showing the seedlings, refreshed every 30 minutes, is here.
Behind her is BLOG, a performance work consisting of the blog you're reading, situated in the gallery's project space for a month. A couple of posts were made during the opening and those of us standing around the terminal from time to time enjoyed reading the comments. I did not put up any cats (or Katz--see comments) but that could happen at any time.
Some gallerygoers chose to use BLOG to explore sidebar links without returning, read up on global warming, and possibly check email--that's part of the art, I guess, but those actions will not be documented.
This is my inaugural post for BLOG, the exhibition. I am at the opening now. Wish you could be here. If anything particularly noteworthy happens in the next two hours I will post about it. In anticipation of a few people standing around wondering what I'm going to do I will also be posting some artwork and possibly a cat.
Good Art of the Day (with Quote)
Joel Holmberg: Scratching Post Vortex and rear-screen-projected sculpture/installation based on same.
"One could criticize young artists in America for attacking trivial subjects when the world is busy coping with the misfortunes inflicted by their country of origin. Yet the solipsism of Scratching Post Vortex doesn't necessarily respect national boundaries--the work's debased Pop values indict all of Western consumer culture, those complicit with Empire or aspiring to be like it. The piece suggests a despairing nexus of humans and what's left of the animal kingdom--overbred domestic pets in a species-depleted world spastically scratching out their frustrations as if on treadmills. Treadmills that grow to encompass other treadmills in a hellish recursive universe of landfill-bound products." --Theodor Adorno
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