tom moody

tom moody's weblog
(2001 - 2007)

tommoody.us (2004 - )

2001-2007 archive

main site

faq

digital media tree (or "home" below)


RSS / validator



BLOG in gallery / AFC / artCal / furtherfield on BLOG

room sized animated GIFs / pics

geeks in the gallery / 2 / 3

fuzzy logic

and/or gallery / pics / 2

rhizome interview / illustrated

ny arts interview / illustrated

visit my cubicle

blogging & the arts panel

my dorkbot talk / notes

infinite fill show


music

video




Links:

coalition casualties

civilian casualties

iraq today / older

mccain defends bush's iraq strategy

eyebeam reBlog

hullabaloo

tyndall report

aron namenwirth

bloggy / artCal

james wagner

what really happened

stinkoman

antiwar.com

cory arcangel / at del.icio.us

juan cole

a a attanasio

rhizome.org

three rivers online

unknown news

eschaton

prereview

edward b. rackley

travelers diagram at del.icio.us

atomic cinema

lovid

cpb::softinfo :: blog

vertexList

paper rad / info

nastynets now

the memory hole

de palma a la mod

aaron in japan

NEWSgrist

chris ashley

comiclopedia

discogs

counterpunch

9/11 timeline

tedg on film

art is for the people

x-eleven

jim woodring

stephen hendee

steve gilliard

mellon writes again

eyekhan

adrien75 / 757

disco-nnect

WFMU's Beware of the Blog

travis hallenbeck

paul slocum

guthrie lonergan / at del.icio.us

tom moody


View current page
...more recent posts



The unifying themes of this blog and the artwork depicted here (mine and others') are stated on my main page. That statement was written in 2001 and has only been tweaked slightly since.

I believe any serious artist these days deals with information technology because that's what makes the world go round (at least till the fuel and food runs out and our society resembles New Orleans post-Katrina). The cult of "painting and sculpting" (and the collectors who support it to the tune of billions) is either about burying heads in the dirt or actively denying this prevalent reality through some imagined return to the medieval.

But tech art also has its cult--futuristic assumptions that drive advertising, design, and consumption. That's why the artwork is low-tech here and why mute molecular forms, synthetic cubism, and '80s-style computer graphics are constant themes--all are utopian forms where the bloom is off the flower (kind of like the DHARMA initiative).

Guthrie Lonergan has identified two types of artists using information tech--hackers and "defaults" artists. I'm in the latter camp, using programs pretty much as they were intended and in ways that "blend in" with the wider Web the way a Pop artist's work blended in with commercial culture. The underlying intent is still art, but doesn't announce itself in the language of academic conceptualism or overt geekspeak.

- tom moody 5-24-2007 10:32 pm [link] [9 comments]



exercise molecules

GIF artist unknown

- tom moody 5-24-2007 9:20 pm [link] [5 comments]



Thanks to Paddy Johnson for the nice write-up of BLOG. The show at artMovingProjects is still ongoing--the gallery is open Thursdays through Sundays 1-6 if you want to read this in a "white cube" setting. I might even be able to come out from inside the pedestal and talk to you. (Recycled joke.) Now that the opening has passed I'm doing the exhibition remotely, from the studio. Kind of like "phoning it in" except it's harder work.

- tom moody 5-24-2007 9:06 pm [link] [add a comment]



JODI at vertexList

Student essays on JODI's current New York exhibition, from the vertexList blog. Efrain Calderon Jr.'s is especially thorough and helpful and does not read as if it were written at gunpoint. And here are some shots of the JODI opening, also from the vertexList blog. Looking forward to seeing the show this weekend.

A few months back a NY cyber art dealer made a comment here expressing regret that the dealer's space could not show JODI "because of the lack of support for this type of work." In fact, none of Manhattan's supposedly computer-specializing galleries stepped up, despite JODI's cred and long history as Dadaist hacker artists. Fortunately two galleries saw an opportunity: vertexList in Brooklyn and And/Or Gallery in Dallas, which are hosting simultaneous, feed-connected JODI shows. My understanding is that sales of unique and editioned works have been made at both venues, so, so much for that "lack of support."

Update: In the comments, VONA says, "JODI has shown at Pace and a big solo show at Eyebeam in the last few years. It’s somewhat of a distortion to imply, as I feel this post does, that they are locked outside a commercial art realm." My reply:
Eyebeam is a non-profit space--not sure how that show was in the commercial realm. As for the Pace exhibit--that's one group show, not much of a commitment. As discussed here, Pace seems to have flubbed that installation, projecting the wrong DVDs on a cross-shaped wooden construction built specifically for another video work.

Anyway, the point of this post is JODI's doing fine in the commercial realm, with galleries outside of Manhattan.
Update 2: Turns out the issue with VONA wasn't that I was distorting the record but that new media artists need to "forget" showing in Chelsea (still the key to wider art world recognition, last I heard--not a guarantee but the place that collectors, curators and writers tend to go to to see art) and I wasn't sufficiently respectful of this aspiration of VONA's.

- tom moody 5-23-2007 6:44 pm [link] [7 comments]



Petra Cortright - 10

"Yarnstripe" by Petra Cortright.

- tom moody 5-23-2007 6:43 pm [link] [5 comments]