mailbu bob's christmas lights
DAWN OF THE LOONEY TUNE
NOVEMBER 16 - DECEMBER 23, 2017
OPENING RECEPTION: THURSDAY, NOVEMBER 16, 2017, 6-8PM
Derek Eller Gallery is pleased to announce Dawn of the Looney Tune, an exhibition of recent sculpture by Michelle Segre.
Continuing her absurdist juxtapositions of materials, Segre's new body of work accumulates unexpected objects (rocks, organ pipe, bread, mirror, etc.) to form sculptural compositions. These sculptures are imbued with a carnivalesque energy that reflects the unpredictability of our times. The largest works in this exhibition are held together by yarn, thread, string and wire. For Segre, the linear quality as well as immediacy of these materials function like drawing, allowing her to render frenetic gestures on a large scale. These lines form complex structural webs which ensnare and hold the amalgamations together, cumulatively forming monumental masses.
In the titular work of the exhibition, bright orange yarn fills out a spiraled armature containing green and purple dish sponges; the framework is adorned with carrots in various stages of decay. These carrots will be replaced throughout the exhibition in a process Segre calls "feeding the sculpture". The idea of a work cannibalizing itself has persisted throughout her career. Imagery, subject matter, and older works by the artist are consistently reconfigured and then emerge as new mutations within her sculptures. These cycles mirror her continued interest and exploration of decomposition and renewal.
As well as manipulating and shaping materials in a traditional sense, Segre often creates scenarios for objects to transform themselves through processes of degeneration. In a group of sculptures here, cubed glass vessels serve as terrariums for the viewer to witness the lifespan of mold growing on loaves of bread. These loaves are perched atop neon aquarium gravel, which underscores their pet-like quality. Sealed and deprived of oxygen, mold will eventually die and come to rest in stasis as the final composition. Segre anthropomorphizes impermanent objects to highlight cycles of nature as they relate to our anxieties about the vulnerability of the human body. Here and throughout the exhibition, the seductive morbidity of organic decay is rendered in acid-colors and off-balanced gestures.
Michelle Segre lives and works in New York City. She has had recent solo exhibitions at the Rosenwald-Wolf Gallery, The University of the Arts, Philadelphia PA and The University of Tennessee, Chattanooga TN. In 2017, her work was included in exhibitions at The Nerman Museum of Contemporary Art, Overland Park, KS, Ceysson and Benetiere, Luxembourg as well as others. She is included in the permanent collections of the Museum of Modern Art, New York and The Tang Teaching Museum, Saratoga Springs, New York. Segre is a past recipient of the American Academy of Arts and Letters Award, the John Simon Guggenheim Memorial Fellowship and the Civitella Ranieri Fellowship. Dawn of the Looney Tunewill be Segre's seventh exhibition at Derek Eller Gallery.
Derek Eller Gallery is located at 300 Broome Street between Eldridge Street and Forsyth Street. Hours are Wednesday-Sunday from 11am to 6pm and Tuesday by appointment. For further information please contact the gallery at 212.206.6411or visit www.derekeller.com.
national parks residencies
Paul Soto, a talented LA dealer, tried to sell me a great Mark Rodrigues work for $40,000.00, comprised of wooden shelving units housing hundreds of bootleg Grateful Dead audio cassettes acquired from eBay. In doing so, he assured me that Mark was in the collections of dealer David Kordansky and artist Mark Grotjahn. I’m not casting aspersion on the dealer, but I think we’ve entered a new universe where dealers and market-star artists are the conferrers of value rather than your traditional collectors, if they still exist.
And then, one day, sitting in the shed I live in, I had a revelation: within the current climate of misinformation, and society's willingness to believe absolute bullshit, maybe a fake restaurant is possible? Maybe it's exactly the kind of place that could be a hit?
stumbled across this yesterday: the detectorists. definitely wistful and subtle. think its on netflix.
This "wistful, subtle comedy" (Guardian, UK) was selected by the New York Times and the Hollywood Reporter as one of 2016's best shows. Winner of the BAFTA Award for best comedy, the series follows the eccentric members of the Danebury Metal Detecting Club as they search for treasure in the English countryside. Written and directed by star Mackenzie Crook (The Office), Detectorists also features outstanding performances by Toby Jones (The Hunger Games), Rachael Stirling (The Bletchley Circle), and Diana Rigg (Game of Thrones).
watched two more netflix series over the long weekend, the soderbergh produced western, godless and another margaret atwood adaptation, alias grace. the second was more engrossing but both entertaining. upcoming, curious bout the marvelous mrs maisel out in a couple of days on amazon then season 2 of the crown and the errol morris docudrama wormwood, both on netflix. does tv happen on tv anymore?
Oregon Thanksgiving Breakfast
Breakdown reel showcasing David Fincher's invisible visual effects in the Netflix Original Series Mindhunter.
dont have any recollection of this ever having existed. Dana Carvey Show. funny as a making of doc. some ripe LCK moments to boot. timely.
Asked my LA team mate where to breakfast this morning near downtown and he said Sqirl.....
golden ratio / Mozart effect
guess which famous italian american director is currently making my block over to look like 1970s little italy?
1000+ lined up down the block for these sneakers.
I owe Penck for Beefheart. In East Germany, there was a lively black market for LPs, and Beefheart’s records were the most expensive of all. Penck was a huge fan of Beefheart as a musician, and revealed to me one day that Beefheart was also a painter; so I got in touch with him. He had stopped playing music because he hated the music market, and although as a painter he was totally authentic, no one really took him seriously. The most unbelievable freaks -- rock fans -- came to his exhibitions; occasionally a few pictures would be sold.
However, I was not able to position him, and so far there has been only one museum exhibition of his work, in San Francisco. I visited him a few times in California. He lived in a wooden house, and I could always find him sitting on the veranda and looking out to sea. Once I asked him what he saw. He replied: “Seals. Seals. Sometimes it looks like a seal, but it’s a surfer. And then a shark gets him.”
"Slough" Performance by Steve DiBenedtto, Steven Doughton, Mr. Alexander Wilson. Portland Institute for Contemporary Art